In an architectural approach to photography, the architectural photographer’s greatest challenges include capturing construction. In ordinary parlance, this makes no sense, seeing as the job of architectural photographers is literally to capture construction. However, there is more. Behind those carefully shot buildings with precision in symmetry and aesthetics, and intricate processes.
Six Problems with Architectural Photographers
#One
The first issue with architectural photography is the size of the architecture. Still Vague? Now imagine fitting the contents of a 75Cl bottle into a 35 cl cup? Yes, that about covers it. In capturing the landscape, those carefully cut bushes, and the main architecture itself to provide pristine pictures, you may think the solution is just by stepping back, however it doesn’t work that way.
Here, the architectural photographer has to find the kind of lenses that will fit and that itself is a chore; jaw breaking work
#Two
Perspective
Here, the commissioner may clash with the photographer because they may both have different perspectives of the shot. Another huge problem with architectural photography is determining the perfect angle of the final shot.
The solution to this largely depends on the final effect the photographer or commissioner would want. Here, getting the perfect camera that could be adjustable in multiple ways from up and down, front and back would ease the troubles and help conserve energy.
#Three.
Lighting
Architectural photography is largely different from photography done in a studio where the lights can be controlled and all. Here, you have the rays of the sun bursting in all of its glory upon the building you would like to capture.
This is another bane for Architectural Photographers. Although most architectural photographers schedule a time for the perfect lighting, like high noon or evenings to get the perfect shot they want, in practice this does not exactly follow through.
#Four
Copyrights.
Another bane is with the law. Some buildings cannot be photographed without prior permission from the owner. If you do architectural photography as a hobby, this is the only form of trouble for you.
However, if you sell your shots or you are being commissioned by a brand or business, problems come in.
Most businesses would want to hold all of the rights and claim complete ownerships on the pictures take, others do not care and others would want to split so they can reduce the prices of service.
#Five
Night shots
Shots taken at night are just as aesthetically appealing as those taken during the day. They provide some sort of relaxing aura. However, good things do not come easily. For night shots, the problems often include the lighting and then depending on your region, security.
#Six
Decorum
For architectural photographers. Their work is done in populated areas and so every once in a while, they are compelled to improvise as a result of the hustle and bustle around their workspace.
Conclusion;
Behind those cleverly shot pictures are a lot of obstacles surmounted. However infinite the problems with architectural photography may be, the above are common to all architectural photographers
